That left the skin much darker, but that’s okay because we can bring that up in post without losing details. Did you follow that? In this shot, I wanted to keep detail in the sky and the skin (I wanted to keep some blue sky) and since the sky was brighter, I underexposed that. I underexpose the brightest thing I want to keep detail in. Other than that, I let the hard light takeover.Įxposing shots like this is the same as I’d expose anything else. The sun was coming through a small circular diffuser on her right (your left) which shaded the top half of her body. In the images above, I wanted to keep that softness in my subject while playing with harder light in the background. That’s very important to my style since my tends to have a softer (although still contrasty) feel. My typical images have soft light on both the subjects and the backgrounds. Editing for hard light and soft light is a completely different ball game. The type of light you work with is one of the most influential factors on your editing. Let’s start with what we should always focus on first, the light. Well guess what friends… experimentation fosters progression and lately I’ve been experimenting in harder light! You know I search for shade and you know that back light gets me giddy. If you know my work, you know how much I love soft light. This isn’t “Hard Light” but it’s modified hard light ( I had a diffuser blocking the sun from her top half) and the background is in hard light. It’s a monster with hard shadows, distracting backgrounds, and strong colors. If you’re just here for the freebies, enjoy the article! If you want to dig in way further, I cover every step of my post processing in my Editing + Consistency class. To satisfy those of you who are like me, here’s another post in my Before/After series which not only shows you my images straight out of camera and the final product (hover over the image to see the before), but which uses each image to explain a bit more about what I do in post. I’ve always loved peeking behind the scenes to see where something started and what kind of work and thought went into creating the finished product. It supports thicker paper and the use of synthetic substrates, which can be leveraged for short-run packaging applications like labels, tags and small folding cartons, as well as differentiated commercial and publishing products.Ever since the middle of high school, I’ve been immensely interested in “the process.” You know, that middle bit between point A and point B that nobody but the artist ever sees. The new NexPress ZX3900 toner-based press will also be running at drupa, with a delivery date aimed for early 2017. “Today we continue to push the boundaries of our current offering and take it to the next level with our cloud-based features.” “Kodak created the workflow automation software market with the launch of Prinergy Workflow in 1999,” said Allan Brown, Vice President and General Manager of Kodak’s Unified Workflow Solutions. Ultrastream technology, with a planned launch for early 2017, will co-exist in the market along with Stream Technology to offer different platform options.Īt drupa 2015, Kodak, for the first time, will also showcase a new cloud-based software approach under the banner of Unified Workflow Solutions, which includes Kodak Prinergy, Insite Prepress Portal, Colorflow, Pandora Step-and-Repeat Software, and Preps imposition software. Kodak explains it produces 600 x 1,800-dpi resolution at speeds of up to 150 meters per minute (500 feet per minute) on a variety of paper and plastic substrates. Ultrastream’s writing system includes a modular print head that can be implemented in varying widths ranging from eight inches up to 97 inches suit different applications. Ultrastream technology will co-exist in the market along with Stream Technology to offer different platform options. It will be showcased for the first time at drupa 2016, in an 8-inch configuration for label production, and feature what Kodak describes as a smaller drop size and precise placement accuracy for higher resolution, clean lines and additional detailed definition. Ultrastream, built on Kodak’s continuous inkjet Stream technology, is aimed at moving production inkjet into the mainstream of commercial and packaging printing. Kodak at drupa 2016, running from May 29 to June 10 in Germany, plans to debut a range of new technologies, including its next generation inkjet platform called Ultrastream, a new NexPress ZX3900 press, cloud-based software packages, and new Sonora offset printing plates, among other technologies.
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